Lloyd "Fatman" Smith (1922-1989)

This post collects all the solo recordings I've been able to find from Lloyd "Fatman" Smith. Information on "Lloyd Fatman" - as he was generally known - is not super easy to come by. As best as I can tell, he recorded a handful of songs as a solo artist, starting in 1949 and continuing through the 1950s. Aside from a spell as Louis Jordan's personal manager, he also managed the Equadors/Modern Ink Spots/Cardinals - a vocal group whose fascinating history is detailed by the highly knowledgeable Marv Goldberg here. Marv was also kind enough to send me two of the songs in this post, recorded from his original vinyl, as well as several photos - thanks, Marv!

Anyway, at some point, Lloyd settled down in Philadelphia, where he worked as a DJ for many years. One source mentions him recording "sporadically for local imprints" but, aside from a cover of "Saturday Night Fish Fry" in 1960 and a few stray others, I haven't been able to find much info on specific albums or singles after the 50s. According to DJ Weldon McDougal, people in Philly knew Fatman as a trumpet player and bandleader more than as a singer. In the 60s, he was "in nightclubs more than he was on the air." He booked Weldon's group "The Larks" and was often the MC at places that they appeared.

I think if Lloyd hadn't waited quite so long to begin recording, he might have had more of a solo career. In my opinion, the 10 cuts here easily stand up to the best of the jump blues era . In particular, "Miss Mushmouth" and "Where You Been," both of which were recorded for Okeh in 1956-57, are positively scorching rockers that lay waste to much of the blues shouting of that period. But there's the problem: that period was already pretty much over. Only a select few blues artists, like Big Joe Turner, were able to comfortably ride the first wave of Rock and Roll. Many, many other very talented folks were swept aside by the tidal onslaught of Chuck Berry, Little Richard, Elvis, Jerry Lee and the rest. Still, has anyone ever heard anything like the scattting on "Fat Man's Scat"? How can brilliant weirdness like that remain so obscure? It just ain't fair...

Lloyd was clearly an adept vocal mimic. "Why Oh Why" and "Giddy Up Giddy Up" are very much in the Roy Brown bag, and the vocal mannerisms of Big Joe Turner, Wynonie Harris and Screamin' Jay Hawkins (who was a friend of Fatman's) are evident elsewhere. But the Fat Man absolutely put his own stamp on whatever he did. I wish we had more from him.

Anyway, for now, enjoy some rockin' sides from an obscure madman of the great bygone early rock era.

1. Where You Been (Okeh 7073 - 1956)
2. Miss Mushmouth (Okeh 7083 - 1957)
3. Good Gracious (Okeh 7083 - 1957)
4. Part Time Sweetheart (Okeh 7073 - 1956)
5. No Better for You (Peacock 1611 - 1953)
6. My Clock Stopped (Peacock 1611 - 1953)
7. Giddy Up, Giddy Up (Peacock 1593 - 1952)
8. Why Oh Why (Peacock 1593 - 1952)
9. Fatman (Gotham, unreleased - 1951 - with Frank Motley)
10. Fat Man's Scat (Gotham, unreleased - 1951 - with Frank Motley)
11. Little Leg Woman
12. Roll On Mule

https://drive.google.com/file/d/10k2CckXQDpesf9Xvv3TgQw32t7xa41fH/view?usp=sharing

Fred Sanders with the Cadillac Blues Band - 1991

Fred Sanders (1940-2011)

Fred Sanders died a couple months ago. Most of you have probably never heard of Fred, but for anyone involved with the Memphis blues scene, he was a major figure for a very long time.

For a brief time as a young man I was around Fred quite a bit. We traveled together, played together, even lived together. I spent countless hours watching him play in a variety of settings, but mostly in Handy Park on Beale Street, playing for nickels and dimes. He was a man of immense talents, and this post was inspired by my frustration at how little of his talent has been adequately documented.

Brad Webb has gone a long way toward rectifying that situation. A stalwart supporter of the Memphis Blues scene and its citizens, he is responsible for the lovingly assembled record Long Time Comin', which is currently the only commercially available recording featuring Fred.

As valuable as that record is, and as grateful as I am that it exists, it also came too late in many respects. Fred's guitar skills never left him; even at the end, when his health was very poor, he was still a riveting instrumentalist. His voice, however, had deteriorated dramatically over the years. There are now several youtube videos available that show Fred, in his last days, still performing for tips in Handy Park, and it pains me to see the rich, supple vocals of my memory reduced by illness, age and hard living to a shadow of their former greatness.

So, I wanted to put something up that shows folks a little of what I remember of Fred, and why he was so respected throughout the Memphis music community. There are lots of stories to tell about Fred. He was truly gifted, very charismatic, and capable of moving audiences in a way that I've seldom seen before or since. He was also a complex guy, with his share of problems and difficulties. 

The first four songs in this post come from a 1991 recording of the Cadillac Blues Band I got from Brad Webb (one more big thanks to the much-appreciated Brad). I don't believe this CD has ever been officially released, but it provides an excellent snapshot of the Fred Sanders I remember so well. I have only included the cuts that feature Fred, and on each of them, he is singing and playing his heart out.

I have also added two fantastic cuts from the "Blues Man's Ball" record, as well as a cut from 1978 I found on youtube.

Fred was, in many ways, the last remaining member of a crucial generation for Memphis blues. Most of his contemporaries (some of them chronicled in other posts on this blog) have passed away. The Beale Street Cadillac Blues Band name was used by a variety of musicians who rotated in and out over the years. I witnessed several incarnations of the band in the few brief years I was in Memphis. But most of the older black artists who were the foundation of those motley street bands, who had served as mentors, teachers and examples to the younger generation of players, are now gone. Sadly, few of them left behind much in the way of a recorded legacy. These 7 cuts aren't the career-spanning body of work I wish Fred had left us, but along with "Long Time Comin'" and a handful of youtube videos, they'll have to do for now.

The Beale Street Cadillac Blues Band - recorded 1991:

Fred Sanders - vocal and guitar

Jimmy Ellis - vocals and drums

David Dunn - bass

Dan Charette - guitar



1. Everybody Wants To Win

2. Possum In My Tree

3. Let The Good Times Roll

4. Reconsider Baby



From Blues Man's Ball Vol 1:



5. I Got A Feeling

6. Big Fine Hunk Of Woman


From 1978:


7. Tripping With The Blues

https://drive.google.com/file/d/1aijm6BYSHP6NCYMm4GHodNrGW4Kx7Soc/view?usp=sharing